Watch out! Zombie!

Here's a recent cover painting for a very enjoyable read from American Fantasy Press. It's the first collection of short stories featuring detective John Justin Mallory, the hero by Mike Resnick. The brand new hard cover publication will be available in time for Mike Resnick's Guest of Honor appearance at the 2012 World Science Fiction Convention. There's eight stories featuring a hard boiled detective from our world unhappily stranded in a Manhattan filled with trolls, pink elephants, blue nosed reindeer, powerful demons, and Mallory's office cat / sidekick Felina. You can read more about the book at the website: www.americanfantasypress.com Thanks to Robert Garcia for another incredible project and subject matter for me to work with. Bob and I sat down at the Windy City Pulp and Paperback Convention and roughed out a cover concept. From there I developed the drawing for approval and moved forward on the finish painting. The cover is directly inspired from a scene in the story, "Stalking The Zombie" which appears in this collection for the first time. I also did two black and white spot illustrations for the interior.

Orpheus

Earlier this week I saw a color proof for my new piece from The Dialogue Project, which is a series of poems illustrated sequentially by a variety of artists and published as limited edition prints. I made a visit to the Transmission Atelier studio to check out the production and I have to say that I was incredibly impressed (again) at the quality that James Kay captures when capturing and printing artwork. At first glance I couldn't tell the original from the copy.

I've been excited about being a part of The Dialogue Project ever since the publisher, Cory Glaberson commissioned me to do "any poem" that I wanted! And I was equally thrilled that Robert Garcia was going to handle the design of the series as well as lettering the piece. "Orpheus" was finished in time for San Diego Comic-Con but the prints are just getting set to roll off the press. They are available now from the publisher or from the Reel Art booth at any major comic book/entertainment convention.

It all started with the poem from the play, "Henry VIII":

Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves, when he did sing.
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.

Everything that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing, die.

-William Shakespeare


My rough sketch as I had originally envisioned.
And while I ended up reworking this rough sketch, it really shows elements of what I wanted it to be and where I eventually ended up.

Blocking in the drawing on the board.
More sketching and influences of Pre-Raphaelite imagery and art nouveau emerged as I began gathering my reference.

And then on to Bob Garcia to be lettered:

(Not Final Version)
Other artist's in the series so far: Michael Zulli, Rick Geary, Mark Nelson and Howard Chaykin. I may be missing somebody...
So, for updates and ordering information please go to their website:
www.thedialogueproject.co

Sketchbook: Entry 3

CITY by Clifford D. Simak is an all time classic of science fiction writing.

This drawing was presented for the cover of the Centennial Edition published by Old Earth Books and the project moved along very well from start to finish. I started out re-reading CITY and soon realized I hadn't read it since my teens and so, it definitely felt like I was reading it for the first time. I started taking notes, I doodled images as I read and the cover quickly developed in my mind.

The image is inspired by one of my favorite golden age illustrators, Franklin Booth with the large shape of trees and smaller figures as a focal point. I worked with a straightforward design and composition and I feel it is very fitting for the subject matter. Also, I'm sure I was tempted to do the cover in pen and ink! In fact I had two different color palettes in mind; one very cool palette (and very contemporary) and one in a warm palette (and retro). After discussing the options with designer, Robert Garcia we decided the warm palette was suitable for the new edition and that was what I painted. I know I will soon do the pen and ink version and I have a strong feeling I will eventually do the same painting in the cooler color palette. Because I keep working that over and over in my mind and on paper. Just for my enjoyment and the celebration of a great subject.