Sketchbook 3

Long over due for a post here, so I'm getting right to it. My new Sketchbook is available at all upcoming conventions and signings. Sketchbook 3 is heavy on the pulp this time around and is printed on glossy paper. It nicely displays the black and white painted spots that I created for a variety of pulp oriented projects. Collected are pencil sketches for covers for Radio Archives, American Fantasy Press, and others but most of the art is finished illustrations. Plus I've featured some of my favorite characters including: detectives, femme fatales, John Carter, Tarzan, Green Hornet, The Shadow, and others!
Upcoming is Wizard World Chicago, August 8-11 and a late July signing (to be announced) at Reel Art in Berwyn, Illinois.

Sketchbook: Entry 8

Doc Savage

Another Moonstone Books exciting pulp release is soon to be available this summer: Doc Savage, The Lost Radio Scripts of Lester Dent. Among the choice of covers, you'll find mine along with an alternate by Bob Larkin.
From the start, when Joe Gentile started to discuss this cover with me, the pressure was on. Not from Moonstone (well a little) but my own pressure. I had grown up reading Doc Savage The Man of Bronze. First from Marvel Comics, then the Bantam paperbacks, then the George Pal movie (at least the one sheet looked cool!) and later on the pulp reprints and the fan club from Supergraphics. I had even co-published an amateurish fanzine called "The Doc Savage Fan Magazine" with a friend of mine on his mothers mimeograph machine way back in the mid-1970's.
So, the cover was important that it be identified to it's pulp roots as well as something contemporary for the modern book buyer. After focusing on my concept of the classic Pulp Hero, Clark "Doc" Savage as a supreme adventurer and adrenaline junkie, the process began: thumbnails and the typical scribbles to find effective shapes for the design and composition. I then called upon one of my favorite covers from 1935 as inspiration with Monk driving Doc on their vehicles side board at break neck speed. Before finishing the final painting, I added a bullet hole in the windshield to add to the "story" of the piece.